Vinyl Stories Interview – Look Up, Charlie Brown: A Conversation with Ben Folds

Released as a celebration of the 75th anniversary of the creation of the classic comic strip Peanuts, “Snoopy Presents: A Summer Musical” is an all new animated feature starring Charlie Brown, Snoopy and all our favorite Peanuts characters, and features three new songs by singer/songwriter Ben Folds. Currently streaming on Apple TV+, its an fun yet emotionally potent special which can be enjoyed by kids discovering Peanuts for the first time, and adults who grew up with the franchise. His second time writing for Peanuts, Ben Folds talks about the process of writing for Charlie Brown, and about continuing Peanuts’ musical legacy.

Brotherhood – Brotherhood (1968)

Once upon a time, Drake Levin, Phil Volk and Mike Smith were Raiders in one of the hottest bands in American music. But in 1966, unsatisfied by the hit group’s direction, they quit the band and formed their own group, Brotherhood. But despite high ambition and tons of talent, Brotherhood never took off like the trio hoped it would. A look at the obscure Raiders’ splinter group with a focus on their self-titled 1968 debut album, and the continuing story of Levin, Volk and Smith’s music careers after they hung up the three corner hats.

Judy Collins – Who Knows Where the Time Goes (1968) and Alice Cooper – Billion Dollar Babies (1973)

Although it is best remembered as a shock rock anthem by hard rock icon Alice Cooper, “Hello Hooray” was first introduced by folk singer Judy Collins. One of the unlikeliest cross overs in music history, the song was inspired by Eastern religion and reincarnation and written by Canadian singer-songwriter Rolf Kempf after a road trip to Los Angeles went very wrong, leaving him broke, possessionless and stranded in Laurel Canyon. The unusual story of “Hello Hooray,” and how Rolf Kempf manifested success under dire circumstances, and the strange journey that brought his song to the top of the charts.

Leonard Cohen – Various Positions (1984)

Although it has become one of the most covered songs of the 21st century, with more than 300 official versions of it in existence, Leonard Cohen’s “Hallelujah” was once an obscure deep cut from an album that Columbia Records refused to release. However, through the support of other artists who won’t stop recording it, “Hallelujah” has become one of the most recognizable standards of the modern era. But, has “Hallelujah” outlived its welcome? A deep dive into the history of Leonard Cohen’s “Hallelujah,” from the devastating rejection of his 1984 album “Various Positions,” to its organic rise to prominence. Extra: John Cale, Jeff Buckley and how a green skinned animated ogre endeared the music of Leonard Cohen to the mass audience.

Leonard Cohen – Songs from a Room (1969)

In 1959 Leonard Cohen invited a crying woman at a grocery market on the Greek Island of Hydra to join him and his friends who were sitting in the sun. The crying woman was Marianne Ihlen, and she would not only go on to become Leonard Cohen’s long time companion, but inspire some of his most beloved songs. A look at the globe spanning love story of Leonard and Marianne, from its fantasy land beginnings on Hydra, to it’s tumultuous end in New York City, and Leonard Cohen’s last act of love in 2016. Extra – the origins of “Bird on a Wire,” “So Long, Marianne,” “Hey, That’s No Way to Say Goodbe,” and Cohen’s final song to Marianne from beyond the grave.

Leonard Cohen – Songs of Leonard Cohen (1968)

In 1967 celebrated Canadian poet and novelist Leonard Cohen sought to launch a career as a songwriter, despite having little faith in his ability as a singer or guitarist. However, one special composition about his cerebral relationship with a mysterious woman who lived down by the river would not only go on to enchant the imaginations of music fans worldwide, but would launch Leonard Cohen to international fame as a singer/songwriter. A deep dive into Leonard Cohen’s “Suzanne,” and the real life story of Suzanne Verdal, the woman who inspired the song and both the romantic mythology and tragic reality which eternally ties her to the Leonard Cohen story. Extra: How Judy Collins helped launch Leonard Cohen to stardom, and his dramatic debut in Philadelphia as a solo performer.

Leonard Cohen – The Future (1992)

As Montreal singer/songwriter Leonard Cohen went from being a cult favorite to entering the mainstream at the beginning of the 1990’s, he released his 1992 album “The Future,” gaining new fans and sealing his place as part of the modern music industry. Meanwhile, a moody seventeen year old Sam Tweedle sees the video for “Closing Time” broadcast on Much Music, giving him a cultural hero and sending him on a futile quest to achieve Bohemian cool. A look at Leonard Cohen’s reemergence into prominance during the grunge era and the continuing influence of “The Future.”

Bob Dylan – Blonde on Blonde (1966)

In the summer of 1965 socialite and fashion icon Edie Sedgwick took New York City by storm via her association with Andy Warhol and for being a sensation wherever she went. One of the era’s most famous muses, it has been highly theorized that she was the woman behind a number of Bob Dylan’s compositions, most signficantly “Just Like a Woman” and “Leopard-Skin Pill-Box Hat.” But what was the deal with Bob Dylan and Edie Sedgwick? Whatever it was, Bob Dylan won’t talk about it. A look at the rise and fall of Edie Sedgwick and the songs that she inspired. Extra: Bob Dylan’s rivalry with Andy Warhol.

The Buoys – Timothy (1971)

In 1971 Pennsylvania based group The Buoys shocked audiences with one of the most garish and strangest songs ever to hit the Billboard Charts – “Timothy.” The mouth watering tale about three men who get trapped in a mine only to have two come out thrilled record buyers with a hunger for the macabre, and became a delicious surprise hit despite being banned from radio stations across North America. But even more suprising was that the song was penned by future “yacht rock” icon Rupert Holmes long before “Pina Coladas” were on the menu. Grab a plate as we serve up the story of “Timothy.” We hope you brought your appetite.

David Seville and The Chipmunks – Let’s All Sing with the Chipmunks (1959) and Christmas with the Chipmunks (1962)

Anyone who ever owned an album by Alvin and the Chipmunks remembers their manager/producer David Seville, but who was Ross Bagdasarian? The man behind one of the most enduring musical franchises of all time, Bagdasarian had a massive year in 1958 when he had two back to back number one Billboard hits – “The Witch Doctor” and “The Chipmunk Song (Christmas Don’t Be Late)” and unleashed Alvin, Simon and Theodore on an unsuspecting public for the first time! A look at the continuing legacy of “The Chipmunk Song (Christmas Don’t Be Late)” and The Chipmunks’ rise to fame! Extra: The Christmas that The Chipmunks teamed up with Canned Heat!

Screamin’ Jay Hawkins – At Home with Screamin’ Jay Hawkins (1958)

In 1956 Cleveland Ohio musician Jay Hawkins went into OKeh Records studios to lay down his blues ballad “I Put a Spell On You.” But after a feast of chicken and ribs and beer, the once traditional song turned into an orgy of grunts, groans and howls. Although he claimed to have no memory of recording it, a strange thing happened that night. The young blues pianist emerged out of the studio as Screamin’ Jay Hawkins and the sub genre of shock rock was born. The story of “I Put a Spell On You,” and how Screamin’ Jay Hawkins reluctantly became the forefather of shock rock.

Vinyl Stories Interview – Mercy, Mercy, Mercy: A Conversation with The Buckinghams’ Carl Giammarese

Starting in 1967 The Buckinghams had a string of Billboard hits, including “Kind of a Drag,” “Don’t You Care” and “Hey Baby, Thier Playing Our Song” putting Chicago’s colourful and ecclectic music scene on the rock n’ roll map. Today, the music continues as original band members Carl Giammarese and Nick Fotuna keep The Buckinhams legacy going with concerts across North America for audiences still hungry for that specail 1960’s sound. Sam Tweedle and Carl Giammarese discuss all of The Buckinghams original albums and Carl’s 1970’s era partnership with Dennis Tufano, as well as the Chicago music scene and his current music projects.

The Journeymen – New Directions in Folk Music (1963)

In 1961 childhood pals John Phillips and Scott McKenzie joined up with banjo player Dick Weissman to form the folk trio The Journeymen. With McKenzie on lead vocals and Phillips as the primary arranger, the group created intricate vocal harmonies, giving listeners a first glimpse of a sound that would eventually dominate the decade. Extra: The problem with writing about Papa John. Can we celebrate his music without celebrating the man?

Paul McCartney – Give My Regards to Broad Street (1984)

At the age of nine future record collector Sam Tweedle brought a copy of Paul “McCartney’s “Give my Regards to Broad Street” home from a school fun fair which opened the doorway into the music of The Beatles, although he didn’t know it. One music fan’s misstep into the music of McCartney, and a look at his early 1980’s MTV period and his hit single “No More Lonely Nights.” Extra: The importance of McCartney and Michael Jackson’s collaborations on the MTV generation.

Melanie – Candles in the Rain (1970)

This week we said goodbye to the Little Sister of the Sun, Melanie Safka. Sam Tweedle revisits his 2012 interview as Melanie talks about the events that inspired her first Billboard hit “Lay Down (Candles in the Rain).” From her unlikely debut on the Woodstock stage, the collaboration with the Edwin Hawkins Singers that nearly didn’t happen, and the night that the song saved a platoon of men in Viet Nam, Melanie tells the story of “Lay Down” in her own words.

The Love Generation – The Love Generation (1967), A Generation of Love (1968) and Montage (1968)

Made up of hand selected session singers from the 1960’s music scene, The Love Generation was brothers Tom and John Bahler’s attempt to break out in front as a pop act. However, despite some of the best vocal arrangements and harmonies ever recorded in pop music, the band seemed to out of touch for the modern record buyer. Ignored at the time, the Bahler Brothers introduced a sound through The Love Generation that would become recognizable in years to come via their work with major bubblegum acts through the early 1970’s. IThe Love Generation is a band that needs to be rediscovered by autophiles, fans of retro 60’s sounds and bubblegum pop music.

Robert Johnson – King of the Delta Blues Singers Vol. II (1970)

In the 1930’s blues man Robert Johnson travelled through the Mississippi Delta playing juke joints for tips and drinks. Unknown during his lifetime, in death he would become known as the greatest blues man that ever lived. But legend has it that Johnson made a deadly deal with the devil at a crossroads at midnight to gain his mastery of blues guitar, and months before he would have found fame, the devil came for his payment. A look at Robert Johnson’s deal with the devil, and its surprisingly legacy which continues today.

Arthur Brown – The Crazy World of Arthur Brown (1968)

In 1968 performance artist Arthur Brown brought his Faustian nightmare journey through hell to music audiences via his album “The Crazy World of Arthur Brown” and became the godfather of “shock rock.” Through his high pitched wails and the helmet that shot flames from his head, Brown would be considered a “one hit wonder,” but changed the face of rock performance forever. A look at the career of “The God of Hellfire,” the birth of shock rock and Arthur Brown’s continuing influence on the rock n’ roll landscape today.

Paul Williams – Phantom of the Paradise Original Motion Picture Soundtrack (1974)

In this world there are “Rocky Horror” people, and there are “Phantom of the Paradise” people. “Rocky Horror” fans seem, for the most part, to be ignorantly unaware of “Phantom of the Paradise,” while “Phantom of the Paradise” fans just simply know which film is better.  A loving look at Paul Williams’ phantastic soundtrack to the 1974 cult film “Phantom of the Paradise.”

Various Artists – Beyond the Valley of the Dolls Original Motion Picture Soundtrack (1970)

In 1970 director Russ Meyer introduced a new rock band, The Carrie Nations, to audiences in his film epic “Beyond the Valley of the Dolls.” With music written by Stu Phillips, and featuring the talents of Lynn Carey, The Strawberry Alarmclock, and The Sandpipers, the film contained some of the freshest and most dynamic rock music ever written for a film, reflecting the sounds and attitude of Los Angeles’ Sunset Strip culture. But the music would be ignored by the Billboard charts and barely found an audience while one of the key players was mysteriously missing from the soundtrack album. An introduction to the world of “Beyond the Valley of the Dolls” and the music of The Carrie Nations.

Roy Orbison – At the Rock House (1961)

In 1956 Roy Orbison and his band, The Teen Kings, arrived at Sun Records in Memphis, Tennessee to recut their record “Ooby Dooby.” However, despite being signed by Sam Phillips, Roy would find himself floundering at the legendary label and wouldn’t find chart success until 1961 and at a different label. Why did it take Roy Orbison so long to make it, and how did Sam Phillips allow Roy Orbison to slip through his fingers? A look at Roy Orbison at Sun Records.

Sonny and Cher – The Wondrous World of Sonny and Cher (1966)

After getting thrown out of a Hollywood restaurant in 1965, a fed up Sono Bono wrote an emotional manifesto titled “Laugh at Me,” which became his only hit record, A look at “Laugh at Me,” Sonny’s fight for respect, and why he allowed the laughter to continue through the 1970’s and beyond. Extra: The lasting legacy of Sonny and Cher, and Chaz Bono’s attempt to reinvent “Laugh at Me” as a transgender anthem.

Sonny and Cher – Look at Us (1965)

When Sonny met Cher in 1962, he was a struggling songwriter working as an underdog in Phil Spector’s studio, and she was a teenage runaway with dreams of stardom. Ambitious and in love, the pair spent three years being kicked around the LA scene until 1965, when Inspired by the love that bonded them together, Sonny Bono wrote one of pop musics greatest love songs, “I Got You Babe,” catupultiing them to the top of charts and international stardom. A look at the early days of Sonny and Cher.

Bob Dylan – The Freewheelin’ Bob Dylan (1963)

When Bob Dylan released his sacond album, “The Freewheelin’ Bob Dylan,” in 1963, he gained world wide fame for his political writings and anti-war musings. But behind the songs was the influence of his then girlfriend Suze Rotolo, who was immoralized walking with him on the album’s front cover. Who was Suze Rotolo, and how did she help shape the legend that would become Bob Dylan? A look into their relationship and Suze’s important place in the Bob Dylan mythos.

Various Artists – Zabriskie Point Original Motion Picture Soundtrack (1970)

Although it was one of the biggest box office bombs of the all time, Michelangelo Antonioni’s 1970 film “Zabriskie Point” spawned one of the best soundtrack albums of the era with original music by The Grateful Dead, The Youngbloods, Kaleidoscope and Pink Floyd. The resu.t was a soundtrack album more culturally relevant and remembered than the film that spawned it. Extra: A brief overview of the lives of the couple on the cover, Mark Frechette and Daria Halprin,.

Bobbie Gentry – The Girl From Chickasaw County (2022)

40 years after her self exile from the music industry, singer/songwriter Bobbie Gentry has finally found appreciation amongst modern music fans. Too honky tonk for rock fans and too progressive for country fans, Bobbie was perhaps too ahead of her time in the 60’s and 70’s, but is finally gaining a modern cult following for her swampy blues-country originals and genre spanning crossover masterpieces. However, while the world finally listens, Bobbie doesn’t want to be found.