- Twin Temple – Twin Temple (Bring You Their Signature Sound…Satanic Doo Wop) (2018) and Twin Temple – God is Dead (2023)
Alexandra and Zachery James may look like a nice normal goth couple down the street, but behind their classic style and good looks are two of the most prolific Satanists in our current society. One of the most interesting and original acts in music today, Twin Temple, is taking the niche genre of “occult rock” and placing it in a different era of rock n’ roll, creating a genre all their own they call “Satanic Doo Wop.” Provocative, fearless and wickedly funny, Twin Temple have shocked Conservative society and caused controversy while preaching their core Satanic values through song – empowerment, inclusion and the freedom of expression. In our current hellscape, are Twin Temple the rock n’ roll anti-heroes we need?
- Various Artists – Nocturna Original Motion Picture Soundtrack (1979)
When is a horror soundtrack a Disco album? When it’s “Nocturna: Granddaughter of Dracula.” In 1979, an unlikely film about the Disco dancing granddaughter of pop culture’s most famous vampire hit theatres and got no attention, but left behind an incredible Disco album featuring tracks by Gloria Gaynor, Vicki Sue Robinson, Moment of Truth and….the guy from the Tokens? Anything is possible in the world of Nocturna! A deep dive into the Disco vampire film you’ve never heard of, the album it spawned, and a love letter to the woman who made it all come together, actress/producer/belly dancer/visionary Nai Bonet. Come on and get down with Nocturna, and boogie until the sun comes up. Extra: Nai Bonet teaches you to do “The Jelly Belly.”
- Jimmy Thudpucker – Jimmy Thudpucker’s Greatest Hits (1977)
Many fictional characters have released albums, but few are as good as the one released by Jimmy Thudpucker. A character from Gary Trudeau’s award winning and ground breaking newspaper comic strip “Doonesbury,” “Jimmy Thudpucker’s Greatest Hits” was an experiment in hyperreality that crossed a three year period via a novelty single, a critically acclaimed animated feature and a full length album containing some of the best 70’s pop that you’ve never heard. Featuring legendary session musicians of the era,, trying to understand “Jimmy Thudpucker’s Greatest Hits” is like peeling an onion, with layer and layer of surprises opening wormholes from our world to the world of Doonesbury. Extra: Discovering the music of session singer Renee Armand, and….Keith Moon? How did he get on this album?
- The Ventures – The Ventures (Play the Batman Theme) (1966)
In 1966 comic book superhero Batman and Robin came to television screens in a colorful action-comedy spoof starring Adam West and Burt Ward in the roles of The Dynamic Duo, starting a wave of Bat-Mania throughout the world. An overnight sensation, the program not only had memorable heroes and villains, but one of the most recognizable and beloved television theme songs of all time which quickly became the most recorded song of 1966. A deep dive into the history and the lore of “The Batman Theme,” with special attention to guitar group The Ventures’ 1966 release “The Ventures (Play the Batman Theme).” Bonus: The story of when an eleven year old Sam Tweedle bought his first vintage used record.
- Vinyl Stories Interview – Look Up, Charlie Brown: A Conversation with Ben Folds
Released as a celebration of the 75th anniversary of the creation of the classic comic strip Peanuts, “Snoopy Presents: A Summer Musical” is an all new animated feature starring Charlie Brown, Snoopy and all our favorite Peanuts characters, and features three new songs by singer/songwriter Ben Folds. Currently streaming on Apple TV+, its an fun yet emotionally potent special which can be enjoyed by kids discovering Peanuts for the first time, and adults who grew up with the franchise. His second time writing for Peanuts, Ben Folds talks about the process of writing for Charlie Brown, and about continuing Peanuts’ musical legacy.
- The Royal Guardsmen – Snoopy vs. The Red Baron (1967)
Within five weeks of releasing the hit single “Snoopy vs. The Red Baron” in 1966, high school garage band The Royal Guardsmen were not only selling millions of copies, but also at the top of the Billboard chars and opening for The Beach Boys and The Jefferson Airplane. However, despite overnight success, the group would never be able to climb out of the shadow of Charles Schulz’s famous cartoon beagle, and as the band tried to make it as their own entity, their label, Laurie Records, were putting more faith in the popularity of Snoopy than that of The Royal Guardsmen themselves. The often convoluted history of “Snoopy vs. The Red Baron,” and how Snoopy became both The Royal Guardsmen’s biggest ally and greatest foe. Extra: The surprising “song that got away” in 1969 and the one that probably shouldn’t have ever been recorded in 2006.
